I Can Hew - Border Version for Four, Six, or Eight

Source: Written by Julia E. Schult in 2004. Derived from (but significantly different from) a Cotswold version by Nat Case & Tom Baxter of Uptown-on-Calhoun Morris.

Tune: I Can Hew (David Dodds), as A(BA)⁴ beginning with walk on during chorus.

Formation: 4, 6, or 8 alternating between a set and a line, each dancer with one long stick. Stepping is border style single steps throughout.

Order of figures:

Walk on - line into a set
Cotswold Hey (6 dancers) OR Square Hey (4,8 dancers)
Chorus - set into line
Hey in a Line (2x if 4,6; 1x if 8)
Chorus - line into a set
Out and Swing
Chorus - set into a line
Linear Bombast
Chorus - line into All In

Walk On:
Dancers walk on single file during chorus music to end up in the following formation:

 Musos < 1 2 3 4 5 6

We usually come on from behind the musicians, so 6 leads on.
At end of chorus ("I'm a COLLier's lad") even numbers turn to face odds;
All strike backhand and continue right to loop into a set (standard numbering).
Strike is on "COLL" in the music; see end of Chorus description below.

Hey:
Two whole heys (note square heys when done for 4 or 8 dancers).

Chorus:
"Miners" are odd numbers, "Rock Faces" are even.
On phrase "I Can Hew": Miners swing stick broadly, like a pickax, and strike Rock Face sticks, which are presented horizontally at about Pete's waist height (slightly above most waists).
On next word "Boys": Rock Faces immediately strike Miner's stick, as an echo to the first strike.
Continue same sticking pattern through phrase "Coal that's black and fine". (Count is 12strike4strike6,12strike4strike6.)
Then on phrase "I'm a COLLier's lad", shift weight to left foot so stick can strike backhand on COLL, and stepping commences on right foot simultaneously. Step in a "turn single" small circle moving to R until you are in your new place. (5 steps)
Chorus alternates from line to set, then next chorus from set to line, as listed above.

Out and swing:
When called during chorus, dancers go way out on their turn single to end chorus. Single steps with very slow forward movement to pass partner, turn on or after "strapping lad". Meet to swing on "dad". Remember to end in a set formation (not line).

Linear Bombast:
When done for 6 or 8, dancers will not end up in same position for the final chorus. With 6, some Miners and Rock Faces will have changed roles.

Final Chorus:
On the turn singles, all go out and then leap or caper in to end with sticks high in the center. We usually hold it until applause starts to die down, then music only (no words) strikes up and dancers walk off tiredly to the beat as if they've been mining all day.